Marble lobby of Deccan Serai with a brass chandelier and arched columns

Banjara Hills · Hyderabad · Est. 1908

A Nizami house,
kept exactly as it was.

Nineteen rooms behind a Paigah facade, where original jaali screens, naqashi ceilings, and a Belgian chandelier survive intact — restored, never replaced.

The House

Built for a Paigah nobleman.
Reopened for his guests.

The mansion was raised in 1908 by Nawab Sarwar-ul-Mulk’s estate architect, then passed through three families before falling quiet for two decades. In 2015 the current owners, the Devarakonda family, began a restoration that took eighteen craftsmen four years to complete.

Every stone jaali screen was cleaned by hand rather than replaced. The naqashi ceiling paintwork was matched pigment by pigment against a 1911 photograph found in the Salar Jung archive. Deccan Serai opened its doors in October 2017.

Stone courtyard with fountain and arched colonnade

Within These Walls

The interiors, as they stand today

Full gallery →
Grand lobby with marble columns and a brass chandelier
Ornate arched corridor with patterned floor tiles
Fine dining room with dark wood panelling and candlelight
Bedroom suite with carved four-poster bed
Reading nook with velvet armchair beside a tall window
Elegant hotel sitting room with antique furnishings
Courtyard fountain surrounded by stone arches
Classic hotel bar with brass fittings and backlit bottles

Guests Have Said

From the visitors’ book

I have stayed at every heritage property between Lahore and Mysore. Nothing prepared me for the naqashi ceiling in my room — I lay awake tracing the paisleys until midnight.
Farhana Qureshi, Karachi
The Irani Bar pours a Nizami sherry cobbler that no one in this city has bothered to recreate properly until now. Worth the trip alone.
Desmond Pinto, Goa
My grandmother’s wedding reception was held in this house in 1962. Walking through the Durbar Lobby again, restored but unmistakably itself, undid me a little.
Ritika Vemulapalli, Hyderabad